悲剧冲突,tragic conflict
1)tragic conflict悲剧冲突
1.The Characteristics of Tragic Conflicts and Its Aesthetic Significance;悲剧冲突的特点及其审美意义
2.This paper elaborates the ingenious combination of Chinese and western tragic elements in Tea Ho-use from the perspectives of internal and external display oftragic conflict,showing tragic content in comic way and taking people of different kinds as the tragic characters.该文主要从悲剧冲突的内外展示,用喜剧手法表现悲剧内容,以形形色色的小人物作为悲剧主人公等三个方面阐述中西悲剧因子在《茶馆》中的巧妙揉和,构成中西合璧的悲剧样式。
英文短句/例句
1.--Resurvey On the Tragic Conflict and Spirit in Thundertorm;《雷雨》的悲剧冲突与悲剧精神再探讨
2.Analysis of expressive forms and emotional patterns of tragic collisions in Mourning Becomes Electra;《悲悼》悲剧冲突的表现形态与情感模式探析
3.In Commenting the Absurd of Tragedy Conflict Dispel Way on the Yuan Zaju论元杂剧中悲剧冲突消解方式的荒谬性
4.The Tragedy Collision of Justified Powers:--The Paralleled Study of Beyond the Horizon and The Border Town;善与善的悲剧冲突——从《天边外》和《边城》看现代悲剧的必然性
5.The plot tendency of the conflict of a tragedy always predicts the comedic prospective of the beauty surely winning the evil, while the aesthetic effects of a tragedy is active and comedic too.当然并非所有的悲剧都有乐观性,但悲剧冲突的必然性预示着美必将战胜恶的乐观前景。
6.On Two Kinds of Tragedy Conflicts and Their Expressive Form -Comparison between the Palace of Eternal Youth and Andromeda论两类悲剧冲突及其表现形式——《长生殿》与《安德洛玛克》的比较
7.Quest for the Truth-The Conflict between Hamlet and the Hamlet-World;对真理的求索——试析哈姆雷特与哈姆雷特世界的悲剧冲突
8.Jiachong--an individual under the collision of the dictatorial system;贾充:专制体制下矛盾冲突的悲剧个体
9.Midnight:A Tragic Fable of Modernity Absence and Conflict;《子夜》:现代性缺失与冲突的悲剧寓言
10.Looks at the Significance of Cultural Conflict of "Bailu Plain" through the Feminine Tragedy从女性悲剧看《白鹿原》文化冲突的意义
11.A Comparative Study of Tragic Conflicts in Desire under the Elms and Thunderstorm《榆树下的欲望》与《雷雨》悲剧性冲突之比较
12.Tragedies in the Cultural Conflict of People;人在文化冲突中的悲剧——论鲁彦周小说《逆火》
13.On the Conflict between Rationality and Irrationality in Eugene O" Neill"s Tragedies论尤金·奥尼尔悲剧中理性与非理性的冲突
14.Withering in the Conflict and Confusion--On root causes of Tess" tragedy在冲突和迷茫中凋零——浅析苔丝的悲剧命运根源
15.The Tragic Conflict between Self and Realities--An Interpretation on Haruki Murakami’s Norwegian Wood;自我与现实的悲剧性冲突——解读村上春树的《挪威的森林》
16.The "collusion" of reason conflict and contradiction cooperation--Reflection of Anna s tragedy;情理冲突与矛盾合力的“共谋”——关于安娜悲剧问题的再思考
17.Conflict between Confucian Thoughts and Townsfolk Consciousness-Preliminary Discussion on Liu Yong s Thoughts and His Tragic Fate;儒家思想与市民意识之冲突——试论柳永思想及其悲剧命运
18.A Tragic Individual in Discourse Conflict--Analysing Lu Ling s Writing Development and the Causes;话语冲突中的悲剧个体——浅探路翎创作的演变轨迹及其成因
相关短句/例句
tragedy conflict悲剧冲突
1.In grasping thetragedy conflict,local novel writers made two serious mistakes:one is changing the conflict between farms and the state will into a conflict between persons;the other is changing the political conflict into a morality conflict.作家们在悲剧冲突性质的把握上出现了两大偏颇:一是将农民与国家意志的冲突转化为比较单纯的人与人的冲突,二是将政治冲突转换成伦理道德冲突。
2.This paper also explores the close relation between thetragedy conflict and the inner causation.本文在区分西方悲剧独特之处的基础上,首先从内外视角对《哈姆雷特》的悲剧冲突进行了探索性分析,作为内在视角,悲剧冲突产生的原因成为论述主题,而作为外在表现,悲剧冲突与内在原因有着深刻的关联。
3.Among yuan zaju,tragedy conflict resolving way sometimes is absurd.元杂剧中悲剧冲突的解决方式往往表现出一定的荒谬性。
3)tragic conflicts悲剧冲突
1.It impresses readers with its grievedtragic conflicts, its distinctive tragic characters and its consistent tragic aura.《孔雀东南飞》是一部催人泪下的爱情悲剧,其悲剧美表现在:催人泪下的悲剧冲突,光彩照人的悲剧形象,首尾呼应的悲剧氛围。
2.It discusses the characteristics of Shakespeare s aesthetic thought in terms of the aesthetic features of his characters, thetragic conflicts he constructed and the tragic and death-stricken ending of his tragedies, and points out what great influence he has exerted on the writing of tragedies ever since.本文从莎士比亚的悲剧人物的美学特征、他所建构的悲剧冲突和悲剧的死亡的结局等方面论述了莎士比亚悲剧美学思想的特点 ,说明了他对后世悲剧创作的深远影
4)tragedy conflicts悲剧冲突
1.Thetragedy conflicts of Chinese tragedies are mainly manifested in the process of external just powers defeating evil forces while those of western tragedies are mainly expressed in internal kind human nature overcoming internal evil human nature.中西悲剧最根本的不同就是选择悲剧人物和悲剧冲突的不同。
5)tragic conflict悲剧性冲突
6)comedic conflict喜剧冲突
1.It mainly incarnates the application of the comedic language to create the comedic circumstances,work outcomedic conflict in which the comedic characteristics are depicted,the comedic images are portrayed;therefore, the perfect unity is gained.它主要体现在运用喜剧性很强的语言去创造喜剧情境、设置喜剧冲突 ,在喜剧冲突中刻画喜剧性格、塑造喜剧形象上 ,做到了三者的完美统一。
延伸阅读
悲剧悲剧tragedy戏剧的主要体裁之一。发源于古希腊，由春季祭祀酒神仪式上的酒神颂演变而成。亚里士多德把它定义为：是对一个严肃的、完整的、有一定长度的行动的模仿；引起怜悯与恐惧来使这种情感得到卡塔西斯（净化、宣泄）。后世，很多美学家、戏剧理论家都曾从不同的角度确立悲剧的本质。在悲剧中，人的欲望、情感、意志、能力都是历史的产物，体现着人类的本质力量，但都不可避免地遭受挫折、磨难，甚至是厄运，而且不可能在现实中实现。这就构成了“历史必然的要求与这个要求的实际上不可能实现之间的悲剧冲突”。在这种悲剧冲突中，主人公不仅要同为其造成挫折、磨难的强大外在力量搏斗，往往还要同主体的内在本质力量进行搏斗。尽管突然降临的悲剧性情境似乎是偶然的，但是，这种情境只是为主体行动安排的必要契机，而行动都是源于主体的自我意识，是主体为了极限发挥自身的潜能而做出的。因而，由行动构成的命运的曲线，连同最终的结局无论是失败或是丧失生命，便是他（或她）完整生活的凝聚，亦即完整的人格在行动中自满自足。悲剧的力量正在于主人公有限的生命运动所体现的人类精神的永恒价值。《窦娥冤》剧照悲剧的类型可以从不同的角度进行区分。在戏剧史上，悲剧题材的演变要比其他体裁更为明显。人们把古希腊悲剧区分为命运悲剧和英雄悲剧，两者的主人公都是超凡的神祗和王公贵族，在悲剧冲突中表现激烈的情感、超人的意志和不朽的精神。莎士比亚的悲剧主人公多是王公贵族。19世纪以后，悲剧的题材转向普通人的日常生活，在现实主义悲剧作品中，通过小人物永不满足的、不能实现的追求表现现代人的生态与心态，从而获得一种崇高感。荒诞派剧作家则善于从人类尴尬的生存状态中寻找悲剧题材，着力表现当代人对失去了人的本质力量的渴求。中国古典戏曲也不乏悲剧作品。与西方悲剧相比较，中国戏曲往往由忠与奸、善与恶、压迫与被压迫的鲜明对立构成悲剧冲突，其中有《赵氏孤儿》、《精忠谱》这样的英雄悲剧，有《窦娥冤》这样表现被压迫者反抗精神的悲剧，也有《牡丹亭》、《梁山伯与祝英台》这样的爱情悲剧。在不少作品中，大团圆的结局往往削弱了原有的悲剧力量。
